![]() ![]() ![]() It’s also beneficial when making a montage jump cut because you can just cut down the line and delete the clip sections that you don’t need. ![]() This is a straightforward tool to get the hang of for beginners because it’s so straightforward. It’s the first thing you learn to use when editing your first project since it’s the most direct cutting tool. We genuinely believe that these types of edits for these tools are an essential step in understanding how editing works and, more specifically, how to edit inside Premiere Pro.Įven if you know all the different ways to cut, knowing which tool works best for your particular edit is good.Īh, yes. There are other ways to cut, such as the slip and slide method, but for this article, we’re just going to look at some of the fundamental edit tools. The “Command/Ctrl + K” Shortcut / Playhead Splitting.Well, thankfully, Premiere Pro offers three distinct ways to manipulate and cut up a video clip-or your timeline: When you get to that point, what’s the best way to approach cutting? Then, after everything is organized, you may have to cut down even further and comb through additional video and audio tracks. The primary function of editing software is to cut down clips and place them in a particular order to create a story. Graphics: Compatible with OpenGL 2.In this walkthrough, we’ll cover how to use the razor tool, the ctrl+K/⌘+K shortcut, and Ripple and Trim editing techniques in Premiere Pro.Ĭutting, obviously, is one of the most essential parts of an edit.Memory: 4 GB RAM for 720p, 8 GB RAM for 1080p, 16 GB RAM for 4K.PC: Windows 7 through 10 (32- or 64-bit).The software makes it significantly easier to add transitions and effects, and it offers better tools for keeping your project files organized. However, if you’re using a Mac or Windows computer, we think Hitfilm Express 15 is a better free video editor. Since Shotcut is free, there’s no downside to giving it a try. That dramatically increases the time it takes to color grade a whole video project. You also can’t apply filters onto your timeline, but rather only onto individual clips. It’s essentially impossible to organize source clips within the software, which makes it harder to get a new project off the ground. However, Shotcut 20 does fall short in a few places that matter a lot. We especially liked the timeline builder, which is simple to use and features helpful tools like a ripple editor. The platform’s layout and general design mimics what we’d expect from a top-tier paid editor. ![]() We were impressed with how easy Shotcut is to use, considering it’s a free, open-source video editor. Shotcut offers a handful of preconfigured export options or the ability to customize your video export (Image credit: Shotcut) Shotcut 20: Should I buy it? This makes it surprisingly complicated to fade slowly to black, then transition to a new clip with no fade. However, you can’t control the speed of the transition using keyframes. There are 24 different options, which is more than most creators will ever need. You can only change the style of your transition after it’s been created, using Shotcut’s Properties window. The result is that it’s somewhat difficult to control how long your transition is. Instead of treating transitions like clips that you can drag around the timeline, Shotcut generates transitions when you drag one clip over another in an existing track. The process for adding transitions in Shotcut 20 was somewhat odd, especially if you’re coming from another video editor. It’s not a huge deal, but it does add an extra step into what should be a seamless part of your workflow. You have to manually create a new track before adding new clips. The main disappointment we had with the timeline builder is that it doesn’t enable you to create new tracks just by dragging and dropping clips from your source folder. Shotcut’s timeline builder includes a snap-to option and a ripple edit tool (Image credit: Shotcut) ![]()
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